Brocéliande Confection: Tradition in Motion

Located in the heart of Morbihan, Brocéliande Garment Making was founded in 1972. The company is one of those clothing manufacturers that have weathered the major upheavals in the French textile industry. Initially specializing in garment making for large batches of orders, it has gradually transformed its business model to become a recognized partner of premium brands, capable of supporting their projects from creative development through to production.
This ability to adapt continues to guide the company. Under the leadership of Nora Garcia, who took over the workshop in 2022, Brocéliande Garment Making continues to modernize while remaining true to what has been its strength for over fifty years: the quality of its work, the versatility of its teams, and close relationships with brands.
From a training workshop to a partner for premium brands
When Brocéliande Garment Making opened its doors, France was still experiencing strong momentum in production of large batches. Established with the support of the Mauron town hall, the workshop met the needs of the Belleteste Group, which sought to expand its production in western France. Since the local workforce was not trained in sewing professions, the company established its own training workshop, where more than 120 workers would learn the profession.
For many years, the workshop primarily produced knits and woven garments for major mail-order companies. Faced with strong demand, the factory moved to the Brocéliande industrial park in 1992, but the rise of offshoring subsequently forced the company—like many French garment manufacturers—to rethink its business model. The company gradually moved away from large batches to specialize in more technical items, produced in small batches and medium batches.
Today, the 28-person workshop produces women’s and men’s clothing (dresses, shirts, blazers, skirts, beachwear) as well as high-end home furnishings. This diversification serves as a key balancing factor, as home furnishings account for nearly a quarter of revenue and complement the apparel business, which is dependent on the rhythm of fashion collections. The workshop works with a wide variety of materials such as cotton poplin, silk, velvet, tweed, jersey, and wool, and supports brands through an in-house product development unit.
“Unlike many workshops, our specialty is versatility,” emphasizes Nora Garcia. This versatility is now one of the company’s key strengths. Collections evolve rapidly, quantities are decreasing, and product SKUs are multiplying. Whereas brands once relied on permanent designs produced in large volumes, they can now order just two or three pieces of a particular SKU before quickly refreshing their offerings. Teams must therefore switch from one product to another without compromising on quality.
Proximity as a Driver of Performance

At Brocéliande Garment Making, the relationship with brands is based first and foremost on communication. The workshop primarily works with companies in the premium segment, with whom it builds long-term partnerships. “We don’t work in the luxury sector, but rather in the high-end segment. This allows us to build very close relationships with our clients; we communicate with great ease,”says the CEO. The goal, therefore, is not to “chase after luxury”, but to consolidate a premium model based on trust. “We have extremely loyal customers,” explains Nora Garcia.
This close relationship allows us to support brands far beyond garment making. Thanks to its product development unit, the company is involved from the very early stages of product development. Virtual prototyping with Clo3D is one of the avenues being explored to streamline communication and accelerate the development process.
Having a designer on staff in the product development unit also brings a creative perspective to projects. This approach fosters dialogue with brands and allows the company to go beyond “mere technical execution.” This hiring decision illustrates Brocéliande Garment Making’s commitment to becoming a true development partner rather than merely a contractor.
The workshop’s organization also reflects this pursuit of efficiency. Here, teams work in small groups, and a materials coordinator manages all the components needed for production. Acting as a true partner to the workshop manager, she tracks parts throughout the manufacturing process and helps ensure smooth communication. This approach fosters responsiveness while allowing ample room for the operators’ versatility.
Building a responsible and forward-looking company

For Nora Garcia, modernizing a workshop isn’t just about investing in new machinery. It’s also about improving the company’s organization and the working conditions for her teams. Since taking over, she has implemented several changes, such as restructuring human resources, redesigning workspaces, introducing a four-day workweek, formalizing knowledge-transfer methods, and exploring new tools to preserve traditional professions. She thus advocates for a company where dialogue brings all stakeholders together around a common goal, by creating working conditions that foster exchange and cooperation.
This philosophy and these initiatives are in line with the “Les Ateliers Engagés” certification, which recognizes companies committed to social and environmental responsibility. “We don’t have audits from our clients, but we wouldn’t mind them. We hold the ‘Les Ateliers Engagés’ certification, and we even try to raise our clients’ awareness of it,”she says.
Succession planning is also a major challenge. Like many French clothing manufacturers, Brocéliande Confection is facing retirements and the challenge of recruiting new talent. The company regularly takes on people changing careers and relies in particular on programs such as the Individual Operational Employment Preparation (POEI) to train them for the workshop’s specific needs. Group recruitment efforts have shown their limitations because these professions require time, precision, and a genuine passion for textiles.
The company is also exploring new methods for passing on savoir-faire, notably through technical files or video recordings of specific work steps. The use of a GoPro-type camera, worn directly by the operators, is being considered to film the operations from their perspective. These videos serve as a record of the most complex techniques and would facilitate the training of new recruits.
The workshop is also looking toward the future with a white labeling project.
With its white labeling project, Brocéliande aims to develop a local collection with strong stylistic appeal and demonstrate that French garment making is not limited to luxury goods. The goal is to prove that it is “possible to manufacture high-quality clothing in France at a fair price, balancing competitiveness, savoir-faire, and responsibility”, says Nora Garcia.
From mass production to creative support, Brocéliande Garment Making has become a partner capable of providing consulting services to brands and anticipating their needs. This ambition ultimately sums up the philosophy of Brocéliande Garment Making and its CEO: “I am convinced that we can create something beautiful, do good, and produce quality.”
To learn more, check out the company profile for Brocéliande Garment Making.






